EI’s Ali Abunimah spoke with WBEZ Worldview’s Jerome McDonnell about today’s UN vote on admitting “Palestine” as an observer state and the exhumation of late Palestinian Yasser Arafat as part of an investigation into whether he was murdered.
I’ve been thinking about Y2K a lot lately. Thank goodness that we made it through 2000, so that we could greet 2011. In just one more year it very well might be the end of the world… drink up! I made three liters of mulled wine a few weeks ago to store for the upcoming 2012 apocalypse. So, cheers to a good year ahead!
On that note, for the past month I’ve retreated from my work in order to play. Now that it’s January, I figure I should wrap up vacation in a few bullet points:
- A new word:
Eidolon– In ancient Greek thought, which has influenced modern literature and Theosophy, an eidolon (Greek εἴδωλον: “image, idol, double, apparition, phantom, ghost”) is a spirit-image of a living or dead person; a shade or phantom look-alike of the human form. If of a dead person, the phantom can appear under certain conditions to survivors of the deceased.
- Three of my best friends and I started a production company called the Lipschtick Collective. We have a website, but don’t look! There’s nothing on it yet.
- A bunch of us (Julia, Becky, Gelly, Marcella and I) took a bus for $16 to New York. It was cute, everyone fell asleep at the same time and woke up at the same time. On the ride back this loud Bostonian woman woke the entire bus while talking on the effing phone. Embarrassing for her, annoying for those that were asleep, and entertaining for me:
You have to understand, my father only wants to feed his chickens. My mother wants to be alone, my father wants to be alone. It’s a compulsion. He’ll take his money and spend it all on his chickens before his kids. Duh!
- I have only two resolutions for the next year: “To think and produce work more often” and to wear glitter as often as possible. The first I wrote when I was less than sober.
- This song has been happening all month. Armageddon-Cocorosie
- This Mary Oliver poem:
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting–
over and over announcing your place
in the family of things.
- Watched a truckload of movies. Black Swan, which is pretty damn predictable. Who knew violence against women could be so sexy?! Everyone. Everyone knows, Darren. Your movie is poop. But then I saw Nora’s Will which is a cute little film about an older Mexican Jewish couple and their family. The wife commits suicide and her bitter “ex” husband has to pick up the very neat mess she left for him. It was a touching film, really. And then I saw Sex and the City 2 because I hate myself. I wonder which film is worse for women, Black Swan or Sex and the City 2. It’s a toss-up for me. If sexual violence, eating disorders, suicide and exploitative lesbian sex scenes don’t trigger you, then maybe Islamophobia, classism and racism will! When having to choose between the two, I choose neither.
- Melissa Harris-Perry on Rachel Maddow talking about the DADT repeal. I know it’s a little after the fact, but it’s worth your time if you haven’t seen it.
- I went to a Gogol Bordello concert. My friends and I hung out near the middle of the crowd, bouncing off each other and jumping into the air the whole time. We were on the outskirts of the mosh pit. Every time someone bent over to tie their shoes, crowd members circled around to protect whoever it was from being trampled. And Eugene was in full swing with his big bottle of red wine and 100% kicks-ass mustache. After the second encore he yelled to the audience, “We are here to party, after alllll!!!!!!” and he started singing and strumming again.
Anyway, you’re all perfect and don’t you forget it over the next twelve months!
Some recent happenings:
- “Temple Beth Avodah, a Reform Jewish synagogue in Newton, has abruptly canceled an event with the president of J Street, a lobbying group that supports liberal positions on Israel, because of vociferous objections from some members of the congregation about J Street’s politics.”
- The ADL has posted a top ten “anti-Israel” groups list. Among the names, Students for Justice in Palestine and Jewish Voice for Peace.
- Some members of Netanyahu’s audience respond violently to young Jewish protesters during Jewish Federation General Assembly in New Orleans two weeks ago. A barometer:
So it seems pretty timely that for the past few weeks I’ve been planning an event with a friend at Hampshire titled “What’s so wrong with Zionism??” We have not received any institutional endorsement for this event, but it is not for our lack of trying. We have been in conversation with two different offices on campus, both of which have been too concerned with the “structure” of the event to offer outward support. Here’s our description——>
An Open Discussion on Zionism from Jewish anti-Zionist Perspectives
Want to participate in a candid discussion about Zionism, its history and the baggage that comes with this conversation?
Two students… are facilitating a conversation about Zionism- what it has meant historically and what it means today for Israel, for Palestinians, and for each of us.
We will be giving a presentation on Zionism from an anti-Zionist perspective and then opening up the space for honest discussion about these viewpoints and where we all come from.
We would really love to have a diverse array of voices and perspectives so please come even if you are hesitant about it- we welcome anyone that feels they have a stake in this conversation.
This event is intended for Jewish students to have a specific conversation about how Jews understand and feel about Zionism, so please come with that in mind.”
Our intention with this event is to provide a space for Jews to have a critical discussion about Zionist politics. A space which, judging from recent events, is hard to come by. In the process of organizing for monday, I have wondered about whether we can truly create a “safe space” for this discussion. While it is certainly something to strive for, I’m inclined to say that if we are intending to have an “open” discussion, then the nature of these issues are too personal to make each one of us feel entirely safe. Perhaps this is why so often these conversations fail to happen. But we are trying! Monday will be the first of what I hope are several productive discussions between Jews on campus about the many meanings of Zionism.
So, many thoughts have been stirring in my mind lately about antisemitism, Zionism and the role of dissent. I’ve been book jumping quite a lot, and happened upon a James Baldwin lecture from 1983 on “Blacks and Jews.” Baldwin was speaking in response to the media storm that followed an antisemitic remark Jesse Jackson had made during his campaign for office. Baldwin had begun to talk about why suspicion and bitterness had developed between Jewish and Black communities in the U.S., and his personal experience of seeing what were once far left thinkers turn to neoconservatism in their olllld ageeee. Read away:
“But these are people [the Jews] from whom I did expect something at one time in my life. And I thought they were better than that. I thought that they knew more than that. I thought that they could be clearer than that. What is behind it, in another way, has to do with something else– something else which no one ever wishes to discuss. And that is the actual role in the Middle East of the state of Israel.Whenever Israel is mentioned one is required, it appears sometimes to me, to maintain a kind of pious silence. Well, why? It is a state like other states. It has come into existence in a peculiar way. But it does not, does not, become a state because people who wrote the Balfour Declaration, or Winston Churchill, or for that matter anyone in Europe, or in the Western world, really cared what happened to the Jews. I wish I could say differently, but I would be lying if I did– it came into existence as a means of protecting Western interests at the gate of the Middle East. The British promised land back and forth, depending on which horse would be in the lead, to the Arabs and to the Jews. The English… have a policy which they are experts at, and the policy is called ‘divide and rule.’ Sometimes I think the British may be the authors of twentieth-century racism. They certainly codified it. In any case, in order to be a Zionist, it is not necessary to love the Jews… And to be a Jew is not necessarily to be a Zionist.” (Kenan, 141-142)
I practically jumped out of my seat after reading “in order to be a Zionist, it is not necessary to love the Jews.” It’s true, on many different levels. Especially considering the tendency to equate anti-Zionism with antisemitism. HELLO Abraham Foxman, national director of the ADL! Amira Hass was at Hampshire just a few weeks ago and, to paraphrase, said something about how American governmental “support” for Israel is really just the “assisted suicide” of the Jewish people. What do you have to say about THAT Foxman? But anyway, this “divide and rule” bit that Baldwin is talking about is particularly useful, especially when thinking about what it means to be in solidarity with the Palestinians.
On yet another separated but related note: does anyone from the greater Boston area remember when Noam Chomsky came to speak at Newton South High School?
By Rachel Lebeaux/Staff WriterPosted Apr 04, 2007 @ 12:00 AMNewton — A student group’s decision to invite linguist and MIT professor Noam Chomsky to speak at Newton South High School about the Iraq war next week has touched off a heated debate on freedom of speech as it relates to Chomsky’s controversial political views.
School officials, however, are sticking to and justifying their decision to allow Chomsky to speak to the South community, with Principal Brian Salzer saying that the most important factor is that the talk be “educationally valuable” for students.
Newton South’s Social Awareness Club invited Chomsky to discuss his thoughts in a talk called “A Unique Perspective of U.S. Foreign Policy: Finding Peace in Iraq.” The invitation was made and accepted two weeks ago.
Chomsky will speak April 11 at 11 a.m. in the Seasholes Auditorium at South, during a lunch block. Attendance is voluntary.
Despite his Jewish heritage, Chomsky has been accused of anti-Semitism based on his views of Israel and, in 1979, his stated support for Robert Faurisson’s right to express his views. Faurisson wrote a number of articles and letters to French newspapers in which he described the Holocaust as a hoax, denied the existence of gas chambers and questioned whether there had been a systematic killing of European Jews.
Resident Jim Epstein said that he approached Mayor David Cohen to express his concerns about Chomsky’s impending appearance at a school “with a large percentage of Jewish students,” but Cohen would not intercede.
“I don’t agree with Mayor Cohen that it’s a matter of ‘freedom of speech,’” Epstein said. “Just because statements are protected under ‘freedom of speech’ does not mean that schools don’t have discretion to determine what should be presented there.”
Epstein said he believes the Newton Public Schools are in fact liable for not exercising their discretion, whether or not Chomsky is determined to have propagated “hate speech” in the past.
The question, Epstein said, is whether the city wants to have public schools providing such a forum to its students.“This is ‘cultural relativism’ run amok,” Epstein said.
South parent and TAB columnist Tom Mountain also expressed disgust over the invitation to Chomsky in a column in this week’s TAB, in which he writes, “The volume of information indicting Noam Chomsky is so acute it leaves one to gasp in astonishment that any intelligent, responsible educator would invite him to address an auditorium of high school students.”
School Committee Chairwoman Dori Zaleznik said her committee would not step in either to stop the speech.
“The School Committee supports the right of a student group to invite a speaker to Newton South for a lecture,” Zaleznik wrote in response to questions from Mountain. “We trust the very intelligent and capable students at Newton South to listen to a point of view, question what they hear and form their own opinions.”
In a column to the TAB, South Principal Brian Salzer said he asked himself many questions in arriving at his decision, including whether to accept a speaker with an opposing and possibly inflammatory viewpoint; whether students would be unfairly or unreasonable influenced by the speaker; and whether he’d listened with an open mind to those opposing the presentation.
“With every difficult decision, there is a political price to pay and political capital to earn,” Salzer wrote. “It is my hope that whether you agree or disagree with the decision, you will respect the process I used to make it.”
Salzer said he expected students to “bring thoughtful questions, healthy skepticism, remarkable academic preparedness and the values their parents have instilled in them to listen to a philosopher, academician, linguist and informed scholar.”
Seating in the auditorium will be reserved for South students and staff only. Parents of current students are invited to view the lecture from another classroom area with a live broadcast of the presentation.”
Wrestling with Esther: Purim Spiels, Gender, and Political Dissidence
1. A Drag King’s Bar Mitzvah
In 1999 I won the Philadelphia Drag King contest with my portrayal of metal-head bar mitzvah boy Ben Hesherman, whose speech broke into a rendition of “Breaking the Law” by Judas Priest. Onstage, I told the crowd, “I don’t want to grow up be a man like my father or the rabbi or the Israeli heads-of-state. I want to be like David Lee Roth and Gene Simmons of KISS! Members of my community, friends of my grandparents, I hope you’ll support me. I don’t want to learn Hebrew, I want to learn to rock!” I stripped off a too-big suit to uncover leather pants and a sleeveless Metallica T-Shirt. Someone threw me a plastic toy guitar, and a star was born.
The truth is, at five feet tall, with short hair and chubby boyish looks, the character wasn’t a stretch: my family often jokes about how much I look like my dad at his bar mitzvah. The next year at the contest, I brought Hesherman back for a scandalous performance involving a rabbi, a rocker drag queen, tefillin, and some honey (so that the Torah should be sweet to me). The soundtrack was KISS’s “Charisma.” Some might find these performances disrespectful and sacrilegious, but for me, creating and performing as Ben Hesherman enabled me to come out to my queer community about my Jewishness in a celebratory and sexy way. At the same time, performing an explicitly Jewish masculinity provided a space for me to connect and celebrate with other queer Jews, offering a language for communicating my gender-queerness in a way that my Jewish community (including my parents) could recognize.
Somewhere in the haze of the glittery King’s crown, cross-dressing, and sweet treats I realized that my performances were inspired by memories of childhood Purim celebrations. As a child, I attended Purim parties dressed up as Esther in my grandmother’s costume jewelry and done up with blush and lipstick, which my hippie mother rarely used. The glamour of the Purim celebration was like a second Halloween to me. As a teenager, I gravitated to identifying with the character of Vashti as an icon of feminist resistance. At the time, my early queerness gave me a feeling of vulnerability, a sense that I could be thrown out of the community for being true to myself, as the King had exiled Vashti.
My experience of Purim as an opportunity for boundary-crossing transgression is nothing new; in fact it’s a very old tradition. The oldest surviving text of Yiddish Purim parody-plays (called Purimspiels) is a manuscript from 1697 known as the “Achashverosh-shpiel,” a play considered so vulgar at the time that it was burned by the government of Frankfort, Germany. In 1728, the government of Hamburg banned the performance of Purimspiels entirely. Today, purimspiels are common in yeshivas and religious communities. But the celebrations have also been reclaimed in recent years by Jewish feminists, queers, and progressives of all types, in part because of the possible feminist readings of the story and in part because of the topsy-turvy carnivalesque nature of some Purim traditions. These groups, marginalized by the mainstream Jewish community, are building on the rich history of Purim theater to create powerful spectacles and performances that critique, amplify, and challenge the politics of our times, the Jewish community, and the Megillah’s story itself.
2. The Shadow of Marginalization
A quick refresher on the Book of Esther: Ahasueros, the King of Persia, sends away his disobedient first wife Vashti, who refused to dance naked for the king and his guests. He holds a pageant for a new wife. A young Jewess named Esther (Hebrew name: Hadassah) enters at the urging of her uncle Mordechai and wins, having kept her Judaism a secret. Later, Mordechai uncovers a plot to kill the king by two eunuch guards. Through Esther, he alerts the king and foils the plot. Mordechai’s good deed is then recorded in the royal book of chronicles. Soon after, Mordechai refuses to bow to the King’s assistant Haman, stating that, as a Jew, he will not bow before a man. Angered and incensed at Mordechai’s being honored for saving the king’s life, Haman arranges to kill Mordechai and all the Jews in Ahasueros’s empire, with the blessing of the king. After a period of fasting and prayer, Esther saves the Jews by outing herself (as a Jew) to the king, who, while not rescinding his decree, allows the Jews to arm and defend themselves. Everything turns upside down: the Jews are victorious, instead of being annihilated; Mordechai is given the honored role that Haman had held; and Haman is hanged on the gallows intended for Mordechai.
That’s where the storytelling usually ends in Sunday school classes and Purim parties. But the Megillah actually goes on to describe a massacre of over 75,500 Persians, as well as Haman and his ten sons. The story of Esther and Mordechai’s heroism on behalf of all Jews is a great reason to celebrate, but how can we wrestle with the implications of the end of the story, the brutal vengeance-lust of the Jewish people, if we don’t even talk about that part of the scroll?
At a recent Barnard College conference on “Jewish Women Changing America,” I asked performance artist/drag queen Amichai Lau-Levi (presenting in chararacter as Rebbitzin Hadassah Gross) to talk about the work s/he’s done to reclaim and reinterpret Purim in productions such as “ Esther Don’t Preach: A Purim kaBLAHBLAH Bash!” As the Rebbitzin, Lau-Levi reflected that while we are all starving for ritual on our own terms, Purim is also about the shadow of genocide, marginalization, and hating “the other,” and reminded the audience of the events of Purim 1994. That year, Baruch Goldstein massacred 29 Muslims, and injured a hundred more, who were praying at the Ibrahimi Mosque/Cave of the Patriarchs in Hebron. Survivors of the massacre killed Goldstein, a member of the Jewish Defense League, and an IDF doctor. Israeli right-wing extremists see Goldstein as a holy martyr, claiming that he pre-empted the mass murder of Jews by Arabs. Witness the message on Goldstein’s gravesite:
Here lies the saint, Dr. Baruch Kappel Goldstein, blessed be the memory of the righteous and holy man, may the Lord avenge his blood, who devoted his soul to the Jews, Jewish religion and Jewish land. His hands are innocent and his heart is pure. He was killed as a martyr of God on the 14th of Adar, Purim, in the year 5754 (1994).
Those who eulogized Baruch Goldstein remembered his actions as a kind of “pre-emptive strike” against those who wish to kill the Jews. Did Goldstein see himself as a modern Mordechai? The 1994 massacre makes it clear that those of us who wish to celebrate Esther,Vashti, or Mordechai’s resistance to unjust authority must also deal seriously with the alternate Purim-interpretation of heroic vengeance and security-through-brutality, values that influence not only Baruch Goldstein and his supporters but also our own Israeli and American governments. By avoiding the end of the story, Purim revelers risk giving uncritical license to the fundamentalism and xenophobia found in the text.
In reality, the Purim story may never have happened. Scholars believe that King Ahasueros may have been the Persian king, Khshayarsha, whom the Greeks called Xerxes, and who ruled from 486 to 465 B.C.E. in Shushan, the capital Persian city. The descriptions of Ahasueros’ giant kingdom, which spanned 127 countries from India to Ethiopia, match the size of the Persian Empire under Xerxes, who was also known for his big fancy feasts and parties. On the other hand, no historic records verify the Megillah’s story, which has much in common with ancient romances, fairy tales, and other fantastic literature. As Rabbi Arthur Waskow writes, “Most Jews today understand the whole story of Esther not as an historical chronicle but as a novel.”
3. The Politics of the Party
Whether fact or fiction, the Purim story begs for modern critique, midrash, and creative re-visioning rather than the lazy revisionism offered by mainstream Jewish education. In 2003, I was one of the organizers of the “Suck My Treyf Gender” Purim party, an event which offered some opportunities for that creative critique. Suck My Treyf Gender featured hostesses from Hadassah Ladies for Homos (a sister organization of Church Ladies for Choice), a wrestling-match between Kosher and Treyf, and an alternative Megillah reading, all while raising funds for Jews Against the Occupation and Queers Undermining Israeli Terror. At that event we distributed a manifesto, “The Politics of the Party,” which included this quote:
On Purim, we are religiously obligated to get so shit-faced [drunk] we can’t tell the difference between “blessed” haman, and “cursed” mordechai. Binaries, dichotomies, opposites are emphasized, exaggerated and celebrated. We masquerade as Good vs. Evil, Male vs. Female, Oppressed vs. Oppressor, but the goal is not to reinforce these dichotomies, but to realize that they are false separations, that there is a beautiful space inbetween all opposites, and that is the space where we live as happy, healthy beings. It is in between the extremes, somewhere between “male” and “female,” healing our experiences of oppression while checking ourselves on the power we have to oppress others, that we walk Hashem’s path.
In one act of this cabaret, I performed as Adam Shapiro, the Jewish guy who co-founded International Solidarity Movement (ISM) and who was with Yasser Arafat the previous Pesach in the Palestinian leader’s besieged Ramallah compound, incurring the anger of the Zionist Jewish community. Adam and one of the Hadassah Ladies serenaded each other with “Wind Beneath My Wings,” in a celebration of the cross-pollinization of queer and anti-occupation Jewish activism. Another moving performance was offered by a woman who had recently returned from doing human rights work in the Occupied Territories and read poetry about her experiences that brought a powerful silence to the otherwise rowdy crowd. In sum, the Suck My Treyf Gender cabaret performances used Purim’s cultural traditions as a way to challenge the same nationalism and extremism that Baruch Goldstein glorified with his brutal killings. At the same time, we amplified the meaningful role of Jewish queers and outsiders. In our Megillah, the two eunuchs who plot to kill the King are among the symbolic heroes.
With the between-the-lines vision of Purim’s transgressive potential, we can ask real and deep questions. Is Esther a brave heroine or a subordinating woman spinning back and forth between the demands of various men in her life, making good for herself by capitalizing on the betrayal of other, stronger women? Is Mordechai a brave Jewish hero, or a patronizing and arrogant man who would gladly do to another people what he wished not done to his own? He won’t bow to a king, but he tells Esther to bow to her husband, the king. Is Haman truly evil, or was his history written by the victors who killed his whole people and needed to vilify him to justify a brutal “regime change”? Is Vashti the goyishe heroine of this Jewish story? Is the King really a fool, or, as many commentators suggest, the worst of all — a lecherous old man with access to endless virgins, eager to sign off on any genocide that doesn’t affect his property or his status? We have to wonder why those eunuchs were plotting to kill him, and look who starts and ends with the real power!
Modern Purim celebrations use the traditional play as a vehicle for popular education around a broad range of issues by playing with the iconic roles typified by the Megilla’s characters: good girl, bad girl, stupid king, valiant citizen, evil politician. These traditional players can easily and informatively be mixed up with any combination of modern kings, s/heroes, insider/outsider activists, popular resistance movements, and evildoers-ex-machina. Witness this cross-section of creative re-interpretations:
• In 2002, the Workmen’s Circle/Arbeter Ring, Amnesty International USA, HEEB Magazine, and Great Small Works sponsored a “Giant Puppet Purim Ball Against the Death Penalty.” The celebration included a retelling of the Megillah and music and dance, including reggae with Yiddish lyrics, and the Klezmatics. In 2004, Great Small Works, Arbeiter Ring, and Storahtelling, joined with Jews for Racial and Economic Justice to create a play about immigrant rights directed by Jenny Romaine of Great Small Works and Circus Amok. In 2005, these groups reconvened at The Knitting Factory for a purimspiel that followed Vashti to a detention center and skewered racial “terrorist” profiling and the Patriot Act. These annual celebrations in Manhattan bring together amazing inter-generational crowds ranging from secular-socialist elders to queer red-diaper babies and all kinds in-between.
• Also in 2002, Bonna Devora Haberman who describes the Purim story as “in many ways a story of sex and violence, a tale of how men of power use the currency of the female body to achieve their goals” used the Purim story as an educational activist tool to spread the word about global trafficking of women and girls. Unmasking the Fast of Esther is a 27-page play that Haberman shared with hundreds of congregations across the world, and weaves the Megillah and the Talmud with modern news articles.
• Amy Tobin created the musical Lilithin 1996, and followed up with Esther’s Mission – Love, Blood & Wine In Exile in 2002, Estherminator – a Psycho-Pious Purim Rock Opera in 2003, and The Esther Show in a 2005 tour about which Nextbook.org’s Ben Wurgaft writes, “If Purim is the holiday of subversive reversals, then Tobin’s version of subversion asks other tough questions … Tobin also likes to use the clueless and ineffective king to poke fun at political targets—the death penalty, the invasion of Iraq, and this year, the Bush administration. In one refrain she sings of a ‘Story about the stories we tell,’ suggesting that Purim is precisely the time to use a critical lens to scrutinize politics.”
• The radical Jewish feminist group Jewish Women Watching (JWW), which borrows tactics from the Guerrilla Girls to challenge sexism in the Jewish world (where Guerilla Girls attack the male-dominated-power of the Art world), has used Rosh Hashanah, Hanukkah, high-profile gatherings of Jewish communities, and Purim as opportunities to challenge from within (if anonymously) and without. In addition to stickers that could be put on any grogger (noisemaker) reading “Drown Out Sexism,” JWW also protested at the United Jewish Charities (UJC) in New York with masks on and published a postcard, telling us that “Vashti’s not the only woman who had to strip to keep her job. Even in the Jewish world three out of four women endure sexual harassment in the workplace.” JWW activists observed that at a Megilla reading, we “spin our groggers 50 times to blot out Haman’s name. That’s more than the number of women on the boards of the Anti Defamation League [ADL] and the United Jewish Communities combined,” and ask, “Rabbis agree that without Esther’s intervention Haman would have murdered all the Jews. With almost no women in the top five executive positions at national Jewish organizations, what might befall today’s Jewish community?”
Purim’s tale is a warning with another warning wrapped inside, a liberation that isn’t liberating, and it begs us to create space for solutions that don’t entail easy answers. Wrestling with Esther offers her a chance for meaningful heroism without a brutal legacy, and the insights of these strategic theatrical misunderstandings offer us a path towards transformation
For those of us who don’t fit the mainstream Jewish community norms, Purim has become an opportunity to come out of the corners and challenge our own community by manifesting our fabulous otherness, our queerness. On all other nights, the institutional Jewish community displays a false homogenous front on the issue of supporting Zionism. And on all other nights, homophobia and transphobia are still prevalent in our community. On Purim those of us who, like Pesach’s wicked child, don’t tow those party lines, exhibit our politics and our true queer lives without fear of rejection and repression. (Or so we hope.)
The stage directions for the 2004 Immigrant Justice Purim Spiel offer some modern midrash that may allow us to harness the power of Purim to challenge fundamentalism in years to come:
Hadassah stresses that on Purim, if you are confused, you are doing the right thing. [She] knows there are many paths towards holy disorder, many routes to the mystical place of misunderstanding… The more we don’t understand, the more dyslexic we feel, the more we are entering into the practice of Purim, the more we will be supercharged, renewed, transformed.
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Reading a note in Susan Sontag’s journal, “I am proud of being Jewish. Of what?”
This is a question I have been trying to answer for a while. I would like to define my Jewishness, at the same time considering Zionism and its implications. I have been told that Zion should have a place in the Jewish heart. I’m wondering why this should be and how it ever could be. And I’m not the only one that feels this way, you know.
In high school, a friend of mine gave me a photography book imaging the Israeli Occupation. We were at a barbecue, it was a nice gift. But earlier in the evening the group of us had been having a conversation about Palestine, and while talking and eating our hot dogs someone interjected “Palestinians do not exist because Palestine does not exist.” I don’t remember what my outward response was, but I do remember feeling disgusted.
Later in the evening, looking through my new book, this same person asked, “What is it you’re looking at?” A friend responded for me, “It’s an invisible book. You can’t see it.”
In my research for division iii (senior thesis), which has largely been on defining Zionism in terms of contemporary Jewish American identity, I have found that Palestine is hardly ever mentioned. Historically, this is true of early Zionist attitudes and it continues to be true now. Palestinians were once just “natives” and now they are hardly anything other than “hostile neighbors.” Except when they’re enemies. I’ve been reading early writings on Zionism and watching interviews on the subject: and there are, it seems, no signs of Palestine. This invisibility is striking, and I wonder what it says about the greater Jewish community.
So, this blog is going to be a space for me to think about my division iii out loud. The project is a non-fiction video on Jewish American anti-Zionism and Jewish nationalism. I am wondering: what does Zionism mean to American Jews and can Jewish identity be defined apart from Zionism? How has the rise of political Zionism changed the ways American Jews see themselves? How has it erased Palestine? And ultimately, what is the significance of being a Jewish American anti-Zionist?
Hannah Arendt wrote of the early socialist Zionists, who in forging a new home had “escaped to Palestine as one might wish to escape to the moon, to a region beyond the wickedness of the world.” Zionism is a response to antisemitism and trauma. But, what else?